Anne LaBastille built a 12-by-12-foot-deep cabin in New York’s Adirondacks without electricity, plumbing, or roads; He spent decades living in the wild and his 32-acre home is now protected forever
There was no electricity. No running water. No phone. There is no road leading to the property. Deep in the Adirondack wilderness of New York, Anne LaBastille decided to build a life that most people would have considered incredibly difficult.
In 1964, he built a small 12-by-12-foot log cabin on the shore of Lake Twitchell, creating a home where modern conveniences were almost completely absent.An environmentalist, writer, and wildlife conservationist, LaBastille spent much of her life in the Adirondacks, documenting the realities of living close to nature through her writing. Her experiences became the basis for her celebrated “Woodswoman” memoir series, beginning with the book “Woodswoman,” published in 1976.
The series chronicles his life in the remote Adirondacks and his relationship with nature.
Today, the remote property he once called home has a different kind of legacy. Her 32-acre property in West of Wind was donated to New York State after her death and became part of the Forest Preserve, ensuring that the wilderness she fought to protect would remain protected for future generations.
A house built far from modern life
LaBastille’s decision to live in the Adirondacks was not an attempt to escape for a weekend. It was a deliberate choice to reduce life to the essentials.Their cabin was in a remote location that could be accessed without a road. There were no power or telephone lines running to the property. Water had to come from the surrounding nature, while heat and cooking relied on traditional methods rather than domestic services.LaBastille wanted his house to fit into the landscape rather than destroy it. According to accounts of his life, he deliberately chose a place where he would not have to cut down large trees.
He obtained spruce logs from a local lumberyard and transported them to the lakeshore because there was no conventional road to his property. The result was a small cabin that became both his home and the setting for one of the most notable chapters of his life.Isolation can be beautiful, but it can also be dangerous. Winter transformed the Adirondacks into a harsher world, with heavy snowfall, frigid temperatures, and difficult travel.
Even ordinary tasks, like getting supplies, could become complicated when the lake froze or bad weather hit. However, LaBastille continued to be drawn to solitude.
The woman behind
LaBastille was much more than a person who sought an isolated life. He earned degrees from Cornell University and became an ecologist and wildlife conservationist. She conducted research on endangered wildlife, worked as an educator, and became an important voice in Adirondack conservation.
She was also among the pioneering women in fields where men far outnumbered women at the time. Her writings made her especially known.“Woodswoman” transformed her personal experience of living in the wilderness into a story that resonated with readers far beyond the Adirondacks. Her memoir does not describe an idealized version of nature, but rather the everyday realities of surviving and finding meaning in a remote landscape.
He wrote about chopping wood, facing winter, traveling by boat, and living without the comforts that had become routine for most Americans.Therefore, the cabin became more than a building. It was a physical expression of LaBastille’s philosophy: that nature was something to be experienced, respected and preserved, rather than simply consumed.
A legacy preserved forever
LaBastille died in 2011 at the age of 75. But his connection to the Adirondacks did not end with his death.
In 2016, the administrators of his estate donated the 32-acre West of Wind property on Lake Twitchell to New York state. The donation was made with the objective of protecting the ecological and historical character of the land. The state placed it within the Forest Reserve, giving the property permanent protection.His wishes were remarkably clear. LaBastille had envisioned the property would continue to be a place where people could experience the tranquility and simplicity of nature.
Their vision called for the land to retain its essential character rather than be transformed into a modern retreat.This makes preserving your property particularly important. The 32 acres are not simply a monument to a writer. They represent the landscape that shaped his work and his vision of the world.
His story continues to inspire writers.
LaBastille’s influence is still felt in the Adirondacks. Since 2014, the Adirondack Writing Center has hosted the Anne LaBastille Memorial Writers’ Residency at the historic Lodge on Twitchell Lake, near Big Moose, New York.
Nearly 80 writers have participated in the residency, which gives selected writers two weeks to write, read and work surrounded by the landscape that inspired LaBastille.The year 2026 also marks the 50th anniversary of “Woodswoman,” keeping the spotlight on the writer whose life became inseparable from the nature she chose as her home. The Adirondack Experience also celebrates the anniversary with programs that explore his life and work.
An event on September 19, 2026 will take visitors through archival material related to LaBastille before taking them to see his cabin in the museum’s “Life in the Adirondacks” exhibit.More than six decades after LaBastille first built his little cabin, the idea behind it remains surprising.She chose a 12-by-12-foot house instead of a conventional house. He embraced darkness instead of electric lights, nature trails instead of roads, and the uncertainty of the elements instead of modern conveniences.
And although the woman who once lived there is gone, the land remains. His 32-acre Adirondack home has been protected as part of the Forest Preserve, ensuring that the tranquil nature LaBastille valued will not simply disappear with its history.In an age when houses are getting bigger and technology is becoming more integrated into everyday life, Anne LaBastille’s small cabin represents something almost radical: a life deliberately made smaller so that the nature around it can remain vast.
